Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"
Buddha - Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"

Antique Laos Style Seated Bronze Enlightenment Buddha Statue - 54cm/22"

Material: Bronze

Origin: Laos

Regular price £795 Free Delivery
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SCBR2561

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  • Buddha - Antique Laos Style Seated Bronze Enlightenment

    Shakyamuni Buddha Statue - 54cm/22"

    Calling the Earth to Witness

    Measures - (Height) 54cm/22"

    An expressive antique Laos-style bronze depicting Shakyamuni Buddha seated upon an imposing, multi-tiered throne. Measuring approximately 54 cm / 22 inches high, the sculpture combines a composed sacred figure with a broad architectural pedestal, creating a striking sense of balance and presence.

    The Buddha sits cross-legged in virasana, with his right hand extending over the knee, fingers directed downward, and his left hand resting palm upward in the lap. This arrangement identifies bhumisparsha mudra, the “Calling the Earth to Witness” gesture, associated with the Buddha’s steadfastness and awakening beneath the Bodhi tree. 1080

    His peaceful face is framed by strongly arched brows, gently lowered eyes, and a softly smiling mouth. The monastic robe passes over the left shoulder, leaving the right shoulder exposed, while a clearly defined robe panel descends across the chest. Closely modelled hair curls rise toward a prominent cranial form, surmounted by a tall, stylised flame-like finial.

    The throne is an important part of the composition. Its sweeping tiers, recessed mouldings, and upward-curving corners give the sculpture an expansive silhouette, contrasting with the restrained treatment of the Buddha’s robe and body. A varied brown, grey, and green surface enhances the modelling and lends depth to the face, hands, and pedestal.

    A dignified focal point for a home, study, meditation room, or collection of Southeast Asian Buddhist art, this image evokes serenity, resolve, and the pursuit of wisdom.

    Meaning and Symbolism

    The earth-witness gesture

    The sculpture depicts the moment when Siddhartha, challenged by Mara, called upon the earth to witness the merit accumulated through his past deeds. His right hand reaches downward while his left remains composed in the lap—a visual expression of unshakable resolve in the face of temptation and fear.

    In Southeast Asian traditions, the Earth Goddess, often known as Thorani, responds by wringing water from her hair. The waters, associated with the Buddha’s acts of generosity, wash away Mara’s forces. The story presents awakening as the triumph of wisdom, generosity, and steadfastness over the forces that obstruct liberation.

    Sacred features

    The elongated earlobes and ushnisha, or cranial protuberance, belong to the traditional visual vocabulary of Buddhahood. The finial above the head should be distinguished from the ushnisha itself: in Lao sculpture, this upper ornament may take a lotus-bud or flame-like form, expressing enlightened radiance.

    The pedestal’s pointed corners contribute to its temple-like character. Although they may evoke protective or serpent-associated ornament, the photograph does not establish identifiable naga heads; they are therefore best described as upward-curving decorative points.

    Key Features

    • Antique Laos-style bronze Shakyamuni Buddha.

    • Height approximately 54 cm / 22 inches.

    • Seated cross-legged in virasana.

    • Right hand in bhumisparsha mudra, the earth-witness gesture.

    • Left hand resting palm upward in the lap.

    • Composed face with arched brows, lowered eyes, and a gentle smile.

    • Elongated earlobes and closely modelled hair curls.

    • Prominent cranial form crowned by a tall flame-like finial.

    • Monastic robe draped over the left shoulder.

    • Substantial multi-tiered throne with sweeping, upward-curving corners.

    • Varied brown, grey, and green surface patination.

    • A striking representation of serenity, spiritual resolve, and awakening.

    FAQs

    Who is Shakyamuni Buddha?

    Shakyamuni is a name for the historical Buddha, Siddhartha Gautama. This sculpture represents him at the threshold of awakening, using the earth-witness gesture to recall his victory over Mara’s challenge.

    Are both hands in the earth-touching gesture?

    No. The right hand performs the earth-touching gesture, extending downward over the knee. The left rests palm upward in the lap in a meditative position. Together, they form the familiar “Calling the Earth to Witness” composition.

    What does Mara represent?

    In the awakening narrative, Mara challenges the Buddha through threats and temptations. Symbolically, Mara represents the forces that hinder spiritual freedom, including fear, desire, distraction, and attachment. The Buddha’s composed posture expresses his refusal to be unsettled by them.

    Who is the Earth Goddess Thorani?

    Thorani is a Southeast Asian personification of the earth who witnesses the Buddha’s accumulated merit. In regional accounts, she releases water from her hair, washing away Mara’s army. She is not depicted separately in this sculpture; her presence is recalled through the Buddha’s gesture.

    Is the ornament above the head a lotus?

    The upper ornament has a stylised, flame-like appearance. Lao Buddha images may combine lotus-inspired forms with a pointed radiance above the ushnisha. “Tall flame-like finial” is the clearest description of the feature visible here.

    Do the pedestal points represent nagas?

    They may evoke serpent-associated decorative forms, but that identification is not certain. This is not an explicit naga-sheltered Buddha image: there is no visible serpent canopy behind the head. 

    What does “Laos style” mean?

    It describes the sculpture’s relationship to Lao Buddhist artistic traditions, particularly its facial treatment, tall finial, seated posture, robe arrangement, and elevated throne. Documented Lao images share these features, but style alone does not establish the sculpture’s age or prove where it was made.

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